Review

How can one do justice to Baz Luhrmann’s overripe epic Australia? It’s several types of primitive melodrama—cattle-drive Western, war picture, anti- racist message movie—whirred together, burnished with state-of-the-art CGI, and blessed with dialogue that defies parody. In one scene, the transplanted Englishwoman (Nicole Kidman) gazes moist-eyed on the rough-and-ready cattleman (Hugh Jackman) as he caresses an edgy stallion, and you know her line will be a clever variation on “You really have a gift with horses.” Instead, she says, “You really have a gift with horses.” It’s like that all the way through, down to the Aboriginal sidekick who lectures the hero with “You’re scared a gettin’ your heart hurt like before … without love in your heart you got nothin’.” Jackman has musical-theater chops and knows how to sell material this ham-handed; Kidman isn’t quite as deft. I’ve always admired her gumption in working so hard to overcome a certain temperamental tightness—but that tightness has now spread to her skin. In one scene, she haltingly sings “Somewhere Over the Rainbow” to an orphaned half-caste; but watching that big immovable forehead, I thought of another bit from The Wizard of Oz: “Oiiil caaan.” — David Edelstein